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THE IMAGE OF PRINCE SVETOMIR AND ITS MYTHOLOGICAL, AGIOGRAPHIC, FOLKLORE, AND POETIC PRETEXTS
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THE IMAGE OF PRINCE SVETOMIR AND ITS MYTHOLOGICAL, AGIOGRAPHIC, FOLKLORE, AND POETIC PRETEXTS
Annotation
PII
S241377150000616-0-1
Publication type
Article
Status
Published
Authors
Elena Takho-Godi 
Edition
Volume 74 Issue 4
Pages
35-46
Abstract
The article is devoted to the Tale of Prince Svetomir by famous symbolist poet Vyach. Ivanov, the concept of which the author gestated from the beginning of the 1890s and until his death in 1949. In the Tale the author mainly chose such motifs that can justifiably be called ‘international'. The analysis reveals that Vyach. Ivanov was prompted to select such motifs by the idea of synthesis of the two cultures - Eastern and Western. Notably, this ‘synthesis' was important for him both as a historiosophic and a spiritual, religious perspective stemming from the ideas of VL. Solovyov - ‘the philosopher of Russian messianism'.
Keywords
symbolism, Vyach. Ivanov’s Tale of Prince Svetomir, the ‘international’ motifs, the idea of synthesis of the East and West, VL. Solovyov’s historiosophical traditions
Date of publication
01.07.2015
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1
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